The Headroom 100 series consists of two models. Both
are built on a full size aluminum chassis with spot welded corners.
All filter capacitors are mounted internally except for phase inverter
filter can which is top mounted by the power transformer. Each version
uses a ss bridge rectifier. These models as with all Germino models
do not have a master volume control. These are old school "turn
it up" to get the goods happening.
Specifications on each model are as follows:
1st version is late 67 early 68 specs with high initial power supply
filtering of 110uf. Remaining stages of screen supply, phase inverter,
tone section and preamp are all 32uf. respectively. Screen supply filtering
is 66uf, filtering for phase inverter is 64uf. Cathode follower tone
section and preamp each use 33uf of filtering. Circuit available voiced
as Lead amp with split cathode preamp, 33K/500pf. tone control values
and .022uf. output stage coupling caps, or with Bass voicing/flat frequency
response consisting of shared cathode preamp, 56K/250pf. tone control
values and .1uf. output stage coupling caps.
2nd version is mid 68 to early 69 specs with lower initial filtering
of 66uf followed by 66uf also for screen supply. Phase inverter uses
64uf of filtering and then 32uf for tone section and 32uf for preamp.
These are original values for this time period. This version is voiced
as a Lead amp only, split cathode, 33K/500pf. tone control values and
.022uf. output stage coupling caps.
Both versions use a transformer set based on teardowns of an original
Dagnall T-2562 power transformer, C 1998 output transformer and C 1999
choke. This iron is correct for the years late 1967 through mid 1969.
The two models are intended to give the user a choice between the two
circuits and the two different power supply layouts available during
these early periods of production with the Dagnall transformer sets.
Both amps are very loud with the 1st version and its larger power supply
being extremely percussive in its attack. Plate voltage is around 500vdc.
All models employ the use of 2 watt mil spec pots, NOS carbon comp
resistors, heavy duty Carling switches, Cliff jacks, TAD "mustard"
replica film/foil caps, Sprague and F&T electrolytic caps. Electrical
grade fiberglass turret board material is used and the amp is completely
handwired to perfection using copper stranded wire.
Either Headroom 100 version is a visually stunning and sonically inspiring
piece of craftsmanship. These versions are the definition of loud classic
rock tones! Extremely tight pick attack and a huge low end girth that
only an amp of this power output can produce. Best for large venues
but can be used attenuated in smaller rooms for those who dare and have
good hands!